Pages

Friday, 20 September 2013

The Best British Short Stories 2013, ed Nicholas Royle, Salt Publishing


A guest review from Jayne White

When I was a student I was an avid reader of short stories. I used to comb the college and faculty libraries for them, especially when I was supposed to be reading poetry. After graduation when I was buying all my books I went over to novels and stayed there. Even four years of running short story writing workshops for my local college didn't tempt me back.

However, since I became a kindle reader 18 months ago and a more frequent train traveller, I've found myself rediscovering my love of short stories. I started with the ones included in the various collected works I bought when I got my first kindle and then moved on to explore more modern day anthologies, kindle singles, Galley Beggar Press singles and a few self-published works.

So much for my personal story, but I think I'm part of a growing trend. Kindle singles went on sale in the UK in December 2012 with 250 titles. Nine months later there are over 10,000 titles and around a third are categorised as short stories. This 2013 anthology is the third edited by Nicholas Royle for Salt Publishing. In his introduction to the 2011 collection he talked about the growing range of opportunities for short story publication despite the lack of interest from most of the larger publishing houses.

Mr Royle explains that he reads a wide range of review copies of anthologies and magazines containing hundreds of short stories over the course of a year in order to select the best 20 stories for the anthology. This isn't a collection determined by a committee; it's one man's choice. However, thankfully Nicholas Royle has broad tastes. The twenty stories cover a wide range of styles and subject matter and there isn't a weak story amongst them. In his introduction to the 2011 collection he stated that he'd 'rather be left with questions than answers' and there are several stories that fall into that category. However, I'm quite drawn to tidy resolutions and there are some of those too.

When I was thinking of buying the book I was reassured to see Alison Moore, Nikesh Shukla and Ross Raisin listed as I've enjoyed other works by them, but reading the author biographies, all of them are established, some as short story specialists and others as novelists and dramatists also.

I'm going to come straight out and admit that I enjoyed the book very much. I read it in a single afternoon, keeping hold of it when I went to boil the kettle. I kept thinking I'd found the best story, only to be forced to reconsider a couple of stories later. It almost seems unfair to pick out some stories over the others, but the following really stood out for me:

The Swimmer in the Desert - Alex Preston: A soldier in Afghanistan is keeping watch alone and the distant water he can see from his tower evokes such powerful memories that he is overwhelmed by them. The description of place, thought and memory are remarkable.

Doctors - Anneliese Macintosh: This is the story of a successful student who quits her boring job in a shop to go back and do a PhD. The story is told in the second person and at first I was a little worried that it might be too 'exercise-y' to be a rewarding experience for the reader. However, the observations ring so true for anyone who has found that education wasn't necessarily the key to a better life, that it really wasn't a problem. I also like the fact that it acknowledges modern technology. I can get a bit distracted trying to picture 'when' a story is if there are no clues.

Voyage - Adam Lively: Sartre said ' Hell is other people'. Hell for Joseph Stalin is a dinner on an ocean liner with Franco and Mussolini where he can't get a word in edgeways and his collar is too tight.

Eleanor - The End Notes - David Rose: I think this story may have been inspired by the real life story of Joyce Hatto and William Barrington-Coupe. A recording engineer produces successful recordings of his violinist wife and as her health fails in later years he patches her recordings to an ever increasing degree.

So, given that all these stories appeared in the same year; are there any common themes to draw out?
I observed three themes that linked some of the stories. The first of these was 'change'; Alison Moore's story features a battered wife returning to her childhood home; Ross Raisin's story is about a teenage footballer who has to relocate and fit into a new team; Jackie Kay's character is on her way home after her last day at work and she now needs to incorporate her new circumstances into her complex self-image.

The second theme I noticed was 'mental health / decline'. Jackie Kay's character had worked in a nursing home. James Wall's story is about an elderly couple where the wife is caring for her husband who is sliding into dementia. Laura Del-Rivo gives us the thoughts of the angry old academic in the park.

The third theme is 'family relationships /breakdown'. In Charles Lambert's story Helen can see only her husband's flaws after the abortion she now regrets. Adam Marek's and MJ Hyland's stories both feature father son relationships with an absent mother. In Robert Shearman's story Mrs Timothy quickly dispenses with her husband when they differ in opinion on child rearing.

One theme that I might have predicted I would find in a collection of stories from 2012 is austerity / poverty. It's not on the radar in this collection though. Whether that means that we're not fictionalising it or that we're not doing it well, I'm not sure. If there are any good ones out there, please feel free to recommend.

Read more of Jayne's views on modern short stories here, and follow her on Twitter

No comments:

Post a Comment