Last year, I decided to set up an independent publishing company, Dodo Ink, with the author Sam Mills and Alex Spears, a digital marketing expert. We had all been at events where we had heard people talking about how ‘risk averse’ the publishing industry was becoming, and how writers were struggling to find homes for novels which didn’t fit into marketing categories. Talking about the books we had read and admired in recent years, we found that the majority came from independent presses. We were struck by the energy of the independent publishing scene, and were inspired. As literary addicts ourselves, we thought about how we could support the type of bold and challenging fiction we love – and what better way than starting our own small press?
We’ve taken inspiration from publishers we admire, but I think
that Dodo Ink gives us the opportunity to do something new. This is the first
time that an author and blogger will have come together to run a publishing
imprint. It might be a case of the lunatics taking over the asylum, but it also
gives us a fresh perspective. We want to publish books the way we would want
our own to be published, and we want to talk to readers the way that we would
want to be spoken to. More than anything, we want to champion the sort of
exciting, daring novels which we love, but which seem to be slipping through
the cracks of the mainstream publishing industry.
A few years ago, on this blog, Dan Holloway wrote a provocative and inspiring piece on the rise of digital publishing, and the role it could
shape in the next great literary movement. One section in particular stayed
with me:
It’s going back to punk. And the '70s. Most punk music was dreadful. Really dreadful. First up, that didn’t matter. Punk wasn’t about being good. In fact, once the bands started caring what they sounded like, punk was pretty much dead. And second up, without the 99% of rubbish, the 1% of mind bending brilliance wouldn’t have existed. And it’s the same with literature.
The next great voice, the next Big Movement that comes along, will come out of the mire of slush swilling unfiltered around the internet. It will come from people who haven’t been taught How Not To Be Creative. It may well come from someone who can’t spell for toffee and doesn’t know an adverb from their arsehole. But it sure as anything won’t come from the “I want my manuscript to be so polished it sings into the ear of potential agents” school of writing.
Dan’s
point about punk resonated with me. As much as the music, the excitement of
punk comes from the DIY energy that surrounded the bands. The attitude that
made people say ‘the mainstream music magazines aren’t covering my favourite
bands – so I’ll start my own’. The big record labels seemed safe and out of
touch, so people stared their own, with amazing success. The bands that defined
generations came from independent record labels – Joy Division and later the
Happy Mondays on Factory, The Smiths on Rough Trade. Indie record labels Fire
and Food kept Blur and Pulp going in the years before Britpop, nurturing their
talents and helping them to hone their sound until the time was right for them
to break through commercially.
I
believe that the time is right for independent publishers to make a similar
impact. Independent publishing should be a place for hungry authors who have
something new to say and a new way of saying it. Our job is to identify that
handful of writers who can create the mind-bendingly brilliant books and help
them get that message to as many people as possible without smoothing out the
rough edges or toning down the uncomfortable truths. We have the tools now to
be able to speak directly to readers, to build up communities and share
stories. In twenty years, we should be looking back at publishers like Galley
Beggar and And Other Stories with the reverence that music fans have for Rough
Trade and Factory.
The
success of novels like A Girl Is A Half-Formed Thing shows that there is a
reading public who want to be challenged by new fiction, despite what received
wisdom might say. Publishing any novel is a risk, but there are bloggers and
readers out there who can and will champion quality books, wherever they come
from, and make a huge difference. In four years of writing this blog, I’ve come
across some stunning novels published by small presses, and the excitement of
discovering a book like Zone, Here Are The Young Men or Lightning Rods is the
most rewarding part of the whole experience. I look forward to publishing
novels which can provoke the same reaction in our readers.
I’m
incredibly proud of the first three novels which we’ve signed up. They are all
very different in terms of style - Seraphina Madsen’s Dodge and Burn is an exhilarating
psychedelic rush, Tom Tomaszewki’s The Eleventh Letter is subtle and mysterious,
while Wood Green by Sean Rabin is darkly comic – but all ask questions of the
reader, demand attention, and have a spirit of independence running through
them. They don’t fit into easy categories, and we haven’t tried to force them
to.
We’re
running a Kickstarter campaign to raise funds for our launch, which is now in
its final stages. We’ve been delighted and overwhelmed by all the support and
positivity, not least from other small publishers, who understand that a strong
independent scene is beneficial for all of us. The decision to run a Kickstarter
partly comes from necessity - none of us are high earners, or from wealthy
backgrounds – but it also gives us a chance to talk directly to our readers,
and share some of the experience of getting started in publishing with them. We’re
looking forward to keeping you all up to date.
As a
pledge of my own, I’ve said that I will have the Dodo Ink logo tattooed on my
arm if we hit our target (we’re 75% of the way there as I write). Anyone who
knows me will be aware of how terrified I am of needles, and how much I am
regretting this rash decision, but at least the Dodo is a handsome looking
beast, so the end result will be good.
To find
out more about the Grand Dodo Ink Kickstarter, and our list of rewards, click
here
For more information on Dodo Ink, and to read extracts from our first three novels, visit the Dodo Ink website.


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